This practice is designed to deepen learners’ sensitivity to design through drawing, observing, questioning, and collaborating.
Activities & Practices
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documentation and assessment toolsDocumentation Templates
Documentation Templates
This tool is connected to the Agency by Design Making Moves. The Making Moves identifies three maker capacities that support a sensitivity to design, along with their associated learning moves. Here you’ll find three observation sheets, one for each of the maker capacities: Looking Closely, Exploring Complexity, and Finding Opportunity.
thinking routines“另眼相看” 的思考模式 (简体版）
“另眼相看” 的思考模式 (简体版）
这个思考模式通过帮助学生近距离观察某个物品/系统的细节，考虑不同的使用者和利益相关者不同的观点角度，以反思自己和这个物品/系统的关系来探究其中的关联性。
Field NoteFrom Maker Space to Maker Campus
From Maker Space to Maker Campus
Boston-based architect David Stephen discusses his experiences developing “Maker Campus Master Plans” with various members of Agency by Design’s Oakland Learning Community.
Field NoteJusticexDesign: Developing a Sensitivity to Designed Injustices
JusticexDesign: Developing a Sensitivity to Designed Injustices
Banner image courtesy of Agnes Gómez and her 5th grade students at Sacred Heart School (School year: 2019-2020).
Agency by Design and JusticexDesign (JxD) extend great appreciation to Jaime Chao Mignano for being a thought partner in conceiving of the JxD project as well as to JxD Origin Educators for their invaluable contributions to this work: Agnes Gómez, Angélica Guerrera, Anne Leflot, Ashley Beck, Gerald D. Smith Jr., Maria Fernanda García, Mark Perkins, Nick Loewen, and Sonia Chintha. Thanks also to educators Julie Rains and Lisa Yokana, who participated remotely in trying out some JxD tools during its pilot year. Sincerest appreciation to Edward P. Clapp and Jim Reese, as well as the Washington International School, for their generous and ongoing support in making JxD possible.
thinking routines“联系互动” 的思考模式 (简体版）
“联系互动” 的思考模式 (简体版）
这个思考模式鼓励学生能够慢下来，仔细观察其中一个系统。通过这样帮助学生更好地认识具体系统里无论是直接或间接相关的人物，学生也会注意到系统里任何一点变化，也许都会有意无意地影响到系统的其它方面。
activities and practicesTake Apart
Take Apart
Mechanical dissections are a practice that allows learners to discover the often hidden design of objects.
Field NoteCuriosities, Collections, and Curating: Considering Maker Portfolios
Curiosities, Collections, and Curating: Considering Maker Portfolios
AbD researcher Jessica Ross elaborates on her role in the Open Portfolio Project by asking the question: What advice can we offer young makers as they document their making throughout their lifetimes?
Field NoteA Take Apart Toolkit: What we learn from unmaking
A Take Apart Toolkit: What we learn from unmaking
This piece is the first in a series of Field Notes which can be read as a Take Apart Toolkit of sorts, including how to use Take Aparts to engage in deep analysis, to increase accessibility, to explore the complexity of less tangible objects and systems, and more.
Cracking the case of a computer always inspires a small gasp—an intake of breath that is part fear and part wonder. And it really is beautiful in there.
For that matter, so are the guts of a blender or a blow dryer or an FM radio. When I first started using Take Apart practices in the classroom, it was for the simple unwrapping of the incredible miniature landscape inside of the familiar objects that we think we understand most intimately. The view from the inside is a powerful and nearly instantaneous entrypoint into what Agency by Design names a sensitivity to design—that the world around us is designed and made by humans like us, and can be remade, too.
Over time, I came to think of a Take Apart a perfect first dip into maker-centered learning for learners of any age or context because it requires very little prior knowledge. When I’m guiding a group of learners, I like to ask: Look at the object in front of you—do you know its name? Have you ever used it? Most of us can stare down a clock with some level of confidence and firsthand experience. We have a connection to an object we recognize and ready access to what we already know about how it is used, some alternative forms it may have, and even some ideas about how it works. We have memories that may connect it to our home, the Kindergarten teacher who taught us how to tell time, the last clock we touched. A Take Apart has an emotional locomotion that is hard to resist.
A first, essential step is looking closely—slowly observing and reflecting on the whole. One of the key requirements of a Take Apart, and one that I share with learners, is this important permission: You will not be asked to put it back together. You do not need to preserve it. Once the clock is really Taken Apart, it does not go back together, literally or conceptually. It is a plastic rain poncho that can never be stuffed back into its perfect tiny pouch. When we unpack the parts and complications of the clock—when we explore complexity—our understanding of it balloons out dimensionally.
Permission to break things is a visceral release, and the small shock of cracking the case of a clock marks that crystal moment of transgression. “No going back now,” some learners might say, or “Is this what I’m supposed to do?” They have entered forbidden territory.
The real processing begins when learners' hands are deep in the guts of the clock and a flurry of questions and inferences rise out of their inherent curiosity. It can get wild in there, and conversations and observations help make order and meaning of what they find. I like to prompt, What do you see? What words or numbers can you find? How are things connected? How does it work to move the hands? As pieces start to come out onto the table, I ask: Sort them in a way that makes sense to you. Is it the way they fit together on the inside? Is it by size or color? What way explains the clock best?
When everything is out, when it is arranged as a representation of our understanding of the clock, it has changed irreversibly. It is broken, for sure, but it is also now physically and conceptually larger than it has ever been. Reflection can make visible how learners’ understandings of the clock and their thinking about it have grown. They can teach what they have learned, or explain a moment of surprise where what they thought they knew about the clock was upended. I often invite my students to consider the following: What was hard about taking it apart, physically or emotionally—and what does that mean? What was hard about explaining its workings? What puzzles remain?
Then finding opportunity becomes a natural next step. Often, learners will ask me if they can keep a piece of this clock. I might ask: Why this piece? What do you want to do with it? What should be thrown away, and what is just too interesting?
In the past year, the Making Across the Curriculum project at Washington International School has supported our faculty to dig into an exploration of what Take Apart practices might look like in a classroom. The curiosity and enthusiasm of students during a Take Apart is often the most obvious impact, but we are also trying to identify more subtle evidence of student understanding.